Truth from a Lie : Documentary, Detection, and Reflexivity in Abe Kobo’s Realist Project by Margaret Key

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  • Title: Reality from a Lie : Documentary, Detection, and Reflexivity in Abe Kobo’s Realist Mission
  • Author: Margaret Key
  • Category: Different
  • Date: Aug 2013
  • Lenguage: English
  • Pages: unknown
  • ISBN: 9780739138779

 

Ebook description:

Critics usually regard Abe Kobo (1924-93) as writing towards realism, on account of his avant-garde aesthetics that challenged the Naturalist realism dominating the literary mainstream and the Socialist realism of the orthodox Left in postwar Japan. He thought of his work completely realist, nevertheless, and beginning within the early 1950s in a sequence of avant-garde artwork and literary teams, he championed the opportunity of an important, up to date realism that challenged the reader to query the “actuality” represented within the textual content via more and more self-conscious writing methods. Via a reassessment of the texts wherein he labored out his principle of realism, this research traces the event of his dedication to creating “reality from a lie”—to fiction, drama, and reportage that overtly show their artifice. Key argues that the reflexivity of Abe’s texts, which lay naked their very own processes of synthetic development so as to mirror how our on a regular basis sense of actuality is constructed and maintained, created a important house for metatextual concepts that weren’t acknowledged by the literary institution of his time and have but to be acknowledged by critics right this moment. Undergirding his principle and follow of realism was a critique of standard documentary and of the basic detective story. The texts examined right here expose the diploma to which the documentarian and the detective are lively fabricators of which means quite than impartial observers of truth. By paying shut consideration to the stress between the documentary and the fictive in Abe’s works, Key attracts out the moral implications of his documentary strategy, arguing persuasively that the documentary qualities of his writing, equivalent to its valorization of objectivity over psychologism and the realm of “concrete issues” over abstraction are methods for difficult the dominant assumptions about what constitutes good ethics and good artwork, in addition to the connection between these two spheres.

 

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